An assistant director is there to assist the director in delivering his or her creative vision. This could entail reading in for actors who aren’t present, organising rehearsal calls, running parallel rehearsals or leading games or warm-ups. You are there to provide a strong support to the Directors artistic vision and be an extra set of eyes and ears in the rehearsals. It is very important to have good communication skills as you are responsible for liaising between the different departments.

It's also a great playing field to develop your experience in working towards becoming a Director.

At its core, the Music Director’s job is to understand how songs and music serve a show’s story, setting, drama, and emotional context, and to bring out those critical elements in high quality and consistent performances. The Music Director is hard at work from the very beginning of the production process: developing an overall vision for the production's music, leading the musical aspects of the audition process, helping cast actors and singers, and selecting and sourcing musicians.

This show will have a live band. 

In this position, you’ll work closely with our director to create memorable dance pieces. Your chief responsibility will be to interpret the director’s vision into dances with the appropriate pacing, style, and movements. You will also be tasked with attending auditions and rehearsals, collaborating with other departments, and providing training to our dancers.  Our Choreographer will need to be familiar with a wide variety of dance styles and capable of teaching them to others. You should also expect to collaborate with other departments, such as costume, music and design.

You will provide indispensable practical and organizational support to directors, performers, designers, and technical crew throughout the production and rehearsal process, and supervise onstage and backstage activity during performances to make sure the show goes off without a hitch. A huge part of the Stage Managers role is keeping everyone on track and on time. Tracking of props / characters / scene changes etc. This requires detailed notes in your script in to facilitate the nightly running of the show (you will know the show inside out). If there isn’t a specific prop handler, you might handle movement of props onstage and ensure they are returned to the prop table. 
Stage managers facilitate communication across all creative and technical departments, supervising preshow activities such as technical and safety checks, ensuring that everyone is ready for curtain and in the wings in time for their entrances.

Our Costume Designers tell a story through clothing, using the language of fashion to help express aspects of a production’s setting, mood, and characters. The job requires an understanding of stage production and an eye for creating standout visual designs. With each wardrobe element and accessory, costume designers bring the characters and settings to life, and immerse audiences—and actors—in their period, culture and world.
You will get to know the roles and relationships of the principal characters, followed by initial meetings with the director, set designer and other key figures as they define a vision for the show's design and direction. The costume designer researches designs, materials, and colours popular in the period, as well as details like how they might signify a character's social class. After completing research, costume designers use a combination of sketches, photos to create a visual depiction of each character's costumes throughout the production. You’ll present it to the director and other members of the design team for feedback. Whether purchasing, creating, or tailoring costume pieces, the costume designer is responsible for the costume team, budget, and time frame, this includes schedule fittings with actors, oversee alterations or repairs, as well as providing actors and stagehands with guidelines for costume care.

Prop Makers are responsible for making all the props used in a show and ensuring they suit the design of the production. These can range from crockery to weapons and even bigger set pieces. They work with the production team to ensure the props they are making look authentic and match the era of the production, i.e. Shakespearean, Victorian, Ancient Greece etc. A Prop Maker may also work in the stage management department.

Working with the production team, the hair & makeup department will design and then apply and makeup and hair requirements for the show. This role is required to be present during final rehearsals and the performances.

Set designers, or scenic designers, are responsible for the worlds that characters on the stage inhabit: from the rooms, buildings, and outdoor spaces they move through, to the pieces of furniture that fill them, and even aspects of presentation like the set's angle. All of it tells a story to the audience, and it's the job of the set designer to ensure that the director's vision comes across in the visual language of scenic design. You must possess a keen eye for visual design and style, impressive technical acuity and attention to detail and vitally - a pool of creative vision.

The technical team do everything from designing and operating sound and lighting to moving set pieces. They are integral to the smooth running of any production. 

Due to the nature of these departments, experience is required in some areas; however, it is also a great way to get experience in the amazing world of technical theatre. These positions are open to those 14+